From the yearly archives: "2005"

Tour Journal:
Our last ditch effort to pull up anything for San Diego after getting a healthy number of requests has fallen through… the very last promoter never called us back with a confirmation. Apologies, because we enjoyed playing there before at Che Cafe (during one of the two days the city ever gets rain, even).

We actually got stuck in Bakersfield CA… we put our van in for simple brake repair, and they BROKE our drive shaft on the lift and had to keep the van overnight to do repairs (all paid for by them, of course). Ridiculous to say the least. Much thanks to relative Will Tarng for helping us out so much during this sudden tough time.

Tour Journal:

Yikes… our 3rd time back at Kilby Court, and yet again it was scheduled for a monday night. And it did ok attendance wise. And a 3rd time in a row the venue couldn’t offer a buck for gas. When things like this happen, it seems obvious that others would take up some punk rock ethics and shell out at least $20 for the depraved touring act from far away (with all our EIGHT members needing food, and ridiculous gas hog tourvan with trailer). We ourselves have done so in the past when on the opposite side of the show. Its absolutely brutal on us. But we have higher expectations for the latter half of this tour…

We’ve sunk into major gas debt from having to drive to SLC, and then having to drive to Denver the next day. Thanks to Jacob at Boing House for still being around to house us.

Pictures:
http://photobucket.com/albums/v617/chromelodeon/3rd%20US%20tour/june%206%20salt%20lake%20city/

Here’s some pics from yesterday… we had a day off in Vegas… thanks to Joie for putting up with us yet again, we generally behaved.
http://photobucket.com/albums/v617/chromelodeon/3rd%20US%20tour/june%205%20las%20vegas/\

Photos:

  • June 5 2005 – Las Vegas
  • June 6 2005 – Salt Lake City

Tour Journal:

Holy crap was this show rad. As usual, Josh and Monkeymania (and Denver itself) come through. We got to spend some time in the city itself, which impressed us beyond what we had seen previously. The show was pretty decent, and Mr Pacman followed with a killer half karoke set. Too bad no one caught video of the 8 of us drunkenly screaming along/posing to Europe’s The Final Countdown.

We had to leave late that night post-show to get to Missouri in time….

Tour Journal:

An odd location for us to stop at for sure, but turned out great. Jeb, a friend of a friend (Barker, through none other than Walt the Gypsy Scumbag himself), was a stand up dude who provided a decent show to keep us going and a glimpse of the Missisippi nightlife.

However, this is where the bad weather begins…. hurricane “arlene” and its aftereffects on the climate of the general midwest will haunt us for days to come…

Tour Journal:
….. and here lies the dud date of the tour. No show. In fact, no venue. The space was shut down almost two months ago, and the promoters moved to Montana. We found this out after an hour of walking around the area. We (and all other bands/shows) were supposed to be cancelled and notified of the events. We got to sleep in a parking lot instead of the housing/food/money previously promised. The only reason we were so sure of the show otherwise not to check up was based on a great experience last time and false trust… a lesson learned?

Tomorrow we take the day off to do laundry and gather fresh supplies and such.

Tour Journal:
Today we finally reached our favorite break point… the Kings Island Amusement Park (completed with a Paul Hogan themed waterpark). All we can say is… Dave rode The Beast 13 times, we should have used suntan lotion, and Paul Hogan prerecorded ride warning voiceovers are extremely mind numbing.

Worth a weekend trip to anyone interested. High quality times.

We got lucky… went on a monday and it was rainy in the morning…. NO LINES AT ALL!!!!!!!!

Tour Journal:

We weren’t sure what to expect of this show, but it turned out to be a well received ok time. The venue was accomodating, the show provided enough gas wise, and the surrounding city was entertaining enough. Thats more to say than some of the other dates early on in the tour. We’ll definitely return to this area after this first time around…

Special thanks to Carl and his movie theater basement!

 

Tour Journal:
Once again, Grand Rapids welcomes us with open arms! Another city that way-back-when we didnt expect anything from. The area, the fans, and the venue all are rad beyond belief. Also, we finally got to play with CAPTURED BY ROBOTS (after coincidentally not being able to jump on the bill with them 3 times in the last couple years). Hilarious and well developed stage act… one man fronting a band of robots actually playing instruments and interacting on stage! Special thanks to Kirk of The Shizz for the food relief (we’re out of money for gas stations to rape of fruit and chips), and all the other fans who drove distances for this one.

Tommorrow we take the day off to see BATMAN BEGINS and party with our friends the LSDudes and Cat Time!

Video:

  • Polygon Sun, Aluminum (partial), Triangular (partial) – YouTube

YouTube:

Tour Journal:
Unfortunately, this is one of the last events at our favorite venue/artspace in the city. Fortunately, it was unbelievably good, as usual. Plenty of people, some good fans, some crazy partying. Edmar who runs the whole deal and the publication Lumpen (very rad magazine) is one of the funniest people we know in the midwest, and a highlight of meeting on our tours.

We were all geared up to play a second set at 230am, and not 15 minutes beforehand, a squad of police invaded and kicked the whole lot out, attempting to stamp any fine possible. Goes to show why the venue is shutting down, too much pressure from the surrounding community. Humourously, one cop got causually pulled aside and asked “Hey man, did you used to break(dance)?”… to which he gruntingly admitted to. The other (smashed) partygoer was stoked to see an old friend.

Tour Journal:

This was day two of the “Estefest”. We were not sure what to expect, but it turned out surprizingly cool. We were blown away by “Sword Heaven”, and stayed with a new friend who was of equally comparable video game nerdery. No sleep was had thanks to a full Mrs Pacman cabinet set on free play.

Also, if you can find it in Columbus, you must eat at the TACO NINJA. A small ninja themed mexican food stand inside a bar. Even the chips are shaped like throwing stars.

Tour Journal:
This was actually mislisted as being in Cincinnati, which it definitely was not…. more of a segueway between OH and PA. Thankfully we had picked up some steam from the midwestern part of the tour, because the show turned out to be a dud. Not much else to say. More sleeping in the van. Didn’t want to waste any more money on a hotel room (or have to literally sneak people in through the hotel room window).

Tour Journal:
Another coincidental monday night in Pittsburgh…. this time around, things are starting to pick up. We seem to accidentally hit this city on off days, but after enough struggles, we manage to fare ok. Hopefully we can schedule a weekend date next time around. Show was good, and then we realized how close to home we really were… and so….

…Sometime earllllly tuesday morning we rolled into Philadelphia, almost completely delerious. We broke into our own house, screaming and smashing random things within our grasp (the war of 1812 rages on) as the non-band occupants living there awoke with confusion and excitement. Then the landlord came by and told us he wished we never made it back home.

Setlist:

  1. Polygon Sun [4:13]
  2. Aluminum [5:55]
  3. Triangular [7:28]
  4. One [5:53]
  5. Five [5:40]
  6. Six [3:14]

Audio:

Video:

Tour Journal:

After what seems forever, we finally return to upper New England to all our friends, fans, and the best guys that ever put up with us…. HARRIS. Show went very well, and we’re happy to have broke into one of the best venues in the city. A live recording was done also.

Special thanks to Barker, who is part of the -Seven Degrees of the Gypsy Scumbag- (Walt) that we encountered on tour. Seems like we were hanging out with Jeb in Missouri only days ago. Or was it weeks….?

Tour Journal:
Before all the positive things roll out… let us just say…. WHY THE HELL DOES CONNETICUT HAVE SUCH HORRIBLE, NONSTOP TRAFFIC?!?!??! (and gas prices). This fact killed us to and from boston.

In any case, the show turned out to be a FANTASTIC “end of the road” part of the tour. Great to have played with The Parasprinter, members of which we’ve spoken to for some time. Nice folk, and good group. Trying to get them on the bill for Magfest 4 (www.magfest.org). The venue and show itself reminded us of the Ashland Church shows in south jersey we used to attend nearly every friday night growing up, even before we had any sort of band to play in….. Can’t believe that was almost a decade ago.

Tour Journal:

At last, we are home (for real)….. so much needed sleep, laundry, and showers were in order. The van (and our Urkel hoodpiece) may rest easy for a few days. No more sleeping in the van/begging for food. For now.

However, our homecoming show is THIS SUNDAY, JULY 3rd! We’re hitting arguably the best venue our city has to offer once again, the Unitarian Church… with our friends and supreme video game band THE MINIBOSSES! And to top it off, when we met up in Phoenix weeks ago, we worked out some secret nintendo material which we’re going to unveil AS ONE BAND, FOR A DUAL ENCORE!!!

A 12 piece video game orchestra awaits you. Preordering tickets might be wise, or at least showing up early (doors at 730). Ever since we got back, we caught heavy word of how fast the 500 capacity room is filling up. Do so at: www.r5productions.com

Setlist:

  1. The Parasprinter [3:39]
  2. Polygon Sun [3:48]
  3. Aluminum [5:55]
  4. Triangular [8:20]
  5. One [5:23]
  6. Five [5:52]
  7. Zelda Medley (with Minibosses) [6:50]

Audio:

Video:

Youtube:

Tour Journal:
Wow…. this was the best welcome home reception we could have ever hoped for. We headlined to over 350 sweaty insane persons… and did a secret dual encore with THE MINIBOSSES…. couldn’t have gone any better… just check out the pictures and video below to catch a glimpse of what went down!

http://good-evil.net/temporaryfiles/minibosses-7-3-05/

(the last video in particular is amazing…. listen for the overmodulated crowd noises when they recognize the tune we’re playing)

Concert Photos:

Candid Photos:

Originally published on robweychert.com on July 7 2005.

Late last year, my friend Scott added a Philadelphia-based band called Chromelodeon to the roster on his Bloodlink record label. The band initially piqued my interest with a nine-song ep called The Dark Sword of Chaos, which was dedicated exclusively to the music from Ninja Gaiden II, the second installment in the greatest video game series of all time. It was clear that these guys shared my enthusiasm for the game, and they brought its music into an epic rock context that served it quite well. But since video game cover bands with limited appeal have been coming out of the woodwork for the last couple of years, I didn’t bother to look into what else Chromelodeon had to offer, even though I knew they had original material. Seeing them play with the Minibosses this past weekend changed my mind. And then some.
I sized them up as they started setting up onstage. Eight guys in the band, none of whom look much older than twenty-one or so. Two guitars, bass, drums, violin, accordion, an array of analogue synthesizers (including a keytar), a lo-fi lighting rig, and two projectors for visuals. This was either going to be a formless, cacophonous art project, or something really special. Whatever the outcome, I was already impressed by its ambition.
Given the band’s numbers, it is not surprising that Chromelodeon’s sound is huge. What is surprising is just how unique that sound is, encompassing punk ethos, prog atmospherics, and gamer geekery. Its guitars channel Godspeed You Black Emperor’s symphonic grandiosity, replacing the cynicism with a sense of wonder and adding a touch of metal bravado; fantasy-tinged synth lines recall a decidedly 8-bit Nintendo aesthetic; and the accordion and violin peppered throughout provide a subtle European folk texture.
Throughout the show, though, it was that aforementioned ambition, that potential, that really struck me. Once they started playing, I wasn’t just excited about what they were doing at that moment—which was awesome—but what I could imagine them doing in another year or two. Between their ostensible youth and their distinctive melodic sensibilities, it’s not hard to imagine their material evolving quickly, producing ever more sophisticated arrangements. I could already see it happening at the show—the as-yet-unreleased material they played was that much more invigorating than the great stuff they’ve already recorded.
The future looks bright for Chromelodeon. I am anxious to find out what they have in store.

Welcome to our shiny new page, part of the shiny new life of our band. This past summer has really pushed us into some sort of new level we’ve been waiting for, for some time now. We’re taking August off to replace our drummer (except for LOCKSTOCK FEST!). Check back before the end of the month for our fall tour schedule, which is already filling up…..and enjoy the new page!

Originally published on yourlastrites.com in October 2005. Written by Erik Thomas.

I hate to bring the metal throes of this website to a screeching halt, but this odd little album found its way into my stack and review it I must. Is it metal? Debatable. Should it be reviewed here? Arguable. Do I enjoy it? Somewhat. Is this one of the oddest and hardest albums I’ve ever had to review? You fucking bet.

The only vogue point of reference I can throw out here to at least try and give you some idea as to Chromelodeon’s odd sound is an instrumental Estradasphere, maybe mixed with the The Doors, The Mass and Nintendo game music. Heart of Sawdust is composed of six unnamed movements that flow into each other in one undulating, accordion based, synth pop, orchestral combo that’s sure to please users of illicit substances. At times it comes across like a 70s B movie horror soundtrack with guitars and an accordion. Obviously with such a quirky style and delivery, Heart of Sawdust isn’t an album of songs or moments, but more of an atmospheric trip into psychedelia and a kaleidoscope of swirling sounds that confound confuse and sometimes amuse.

Admittedly the first two ‘songs’ did little for me, with the second song serving as a sort of instrumental rock opera type track, but the dramatic third movement is an eerie, spooky sort of track that would seem to fit the Phantasm movies. The accordion, while normally associated to upbeat, folky bands like Finntroll, is used as a haunting off key backdrop to the guitars and brass instruments. The fourth movement is an ‘epic’ wailing guitar solo backed by the cacophony of instrumentation while the fifth act is a more metal upbeat, cosmic sort of number that showed some chops amid the plethora of oddball instrumental antics. The closing track shows that Chromelodeon can structure an instrumental album with the correct pacing as it is a fittingly “closure” sounding track.

If it seems like I’m flailing like a blindfolded kid at a review piñata, it’s ‘cos I am. Few albums have left me verbally challenged as this, but at the same time, in an era on metalcore plagues and death metal staleness, Chromelodeon comes as an oddly refreshing change, though not an outfit I will seek out voluntarily.

Only recommended for the most opened minded, non blinkered, challenge loving or flat out fucking wasted or high listeners.

The last month of shows finished off perfect with the triumphant return of “Spicy” Mike… our old drummer (tourmate for winter 2004-5, and featured on our NGII and Heart of Sawdust recordings)! Having paid his debt to society, he’s back in full effect. We’re spending much of this fall in our studio recording a variety of new album demos, in addition to some secret tracks tba! Keep an eye out as winter approaches for these, and the Nov. 8th national press release of Heart of Sawdust…